Applying creative ethnography in the study of deindustrialising neighbourhoods

I wrote a new blog post on creative ethnography in the study of everyday life in deindustrialising urban settings for SAGE Perspectives. It is based on my recent research article examining structures of feeling in Russia’s industrial neighbourhoods. You can read a full version of this blog here, if you are interested in knowing more about how to apply drawing and visual research methods in multi-sited ethnography .

Deindustrialisation is a global complex process. It leads not only to the closure of factories which would otherwise damage the environment but also negatively affects everyday life and job opportunities of working-class people. Deindustrialisation often goes hand in hand with neoliberal urban development resulting in gentrification and displacement of longstanding residents of former industrial neighbourhoods and council estates.  

Due to the multiple impacts of deindustrialisation on the lived experiences of local communities, it is important to develop multi-sensory approaches and innovative methodologies relevant for researching place attachment, sensual experiences and urban imaginaries of people residing in post-industrial urban areas.

Illustration by Alexandrina Vanke based on ethnographic data from her research

In my study of two industrial neighbourhoods with mixed social compositions in the cities of Moscow and Yekaterinburg, Russia, I drew on the approach of multi-sited ethnography. Its research design built on a combination of the mainstream qualitative methods of interviewing, observation, participation and the creative method of drawing of the neighbourhoods studied made by research participants, also known as a mental mapping technique.

A mental map is a visualisation of the subjective perception of urban space by city dwellers. Kevin Lynch applied mental mapping in his study of the city images in the US. According to Lynch, each image of the city composed by many individual images, which share some similar visual patterns. In my research on Russia’s industrial neighbourhoods, I used mental mapping to explore structures of feeling as affective principles regulating sensual experiences, urban imaginaries and practical activities of local communities. Mental mapping was aimed to elicit how members of those communities sense and imagine their urban areas.

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Research article on structure of feeling

My new article Co-existing structures of feeling: Senses and imaginaries of industrial neighbourhoods is out in The Sociological Review. This post summarises its key points. This is a first publication from my doctoral project exploring working-class life and struggle in post-Soviet Russia, which I completed at the University of Manchester in 2021.

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In the article, I provide an empirically grounded theorisation of the concept of structure of feeling introduced by sociologist Raymond Williams. Williams defined structure of feeling differently in his works. According to one of his definitions, structure of feeling can be viewed as ‘the spirit of the age’ reflecting the collective cultural feelings of a period or an era. Williams’s another understanding of structure of feeling is related to the lived experiences of working-class communities which have a particular way of life.

While Williams applied structures of feeling mainly in regard to English literature and film, I suggest bringing this concept in sociology of space and place and urban anthropology. In the article, I extend structure of feeling, drawing on my multi-sited ethnography in two industrial neighbourhoods located in the cities of Moscow and Yekaterinburg, Russia.

I conceptualise structure of feeling by focusing on its affective mechanisms regulating senses, imaginaries and practical activities of residents of the two neighbourhoods studied. This ethnographic conceptualisation of structure of feeling allows me to explain better everyday life and local atmospheres in the urban areas undergoing deindustrialisation. The article answers the question of how working-class and longstanding middle-class residents sense and imagine their neighbourhoods.

The article builds on rich multi-sensory data derived from my PhD project: 50 interview transcripts, more than 150 pages of field notes, more than 550 photographs and 43 drawings of the industrial neighbourhoods made by research participants. I show how to apply multi-sited ethnography in the study of the lived experiences of local communities in two locations. I also explain how to use a method of drawing, also known as a mental mapping technique, in research on structures of feeling and deindustrialisation.

© The image by artist Polina Nikitina based on my ethnographic data

My research has revealed that working-class and longstanding middle-class residents show an affective attachment to place informed by an industrial residual structure of feeling. An industrial structure of feeling comprises values of factory culture, communality and shared space, while an emergent structure of feeling is informed by values of neoliberal development, individual comfort and private space. Both neighbourhoods studied have its particular local atmosphere driven by complicated relationships between socialist/ Soviet / industrial and post-socialist/ post-Soviet/ post-industrial structures of feeling. That is why, I suggest understanding structure of feeling not as a spirit of the time but as a multiple spirit of the time and place.

I develop further this theorisation in my book The urban life of workers in post-Soviet Russia: Engaging in everyday struggle to be published by Manchester University Press. Focusing on the issue of inequality, the book provides a novel account of urban life in post-industrial cities. One of its empirical chapters is partly based on this article.

You can find the article OnlineFirst on the website of The Sociological Review.

If you find the information from this post helpful and decide to use it in your publications, please cite:

Vanke, A. (2023). Co-existing structures of feeling: Senses and imaginaries of industrial neighbourhoods. The Sociological Review, 0(0). https://doi.org/10.1177/00380261221149540

Lakeland and its Poets. Visiting Lodore Falls and the town of Keswick

‘How does the water
Come down at Lodore?’
My little boy asked me
Thus, once on a time;
And moreover he tasked me
To tell him in rhyme.

Robert Southey, The Cataract of Lodore, 1820

Having a genuine interest in English Romantic poetry, one December weekend, I decided to go to the town of Keswick (pronounced as [‘kesik] or [‘kezik]) located in the Lake District, Cumbria. My choice of destination was motivated by the fact that the poets Samuel Coleridge and Robert Southey lived there at the beginning of the 19th century and where their friend William Wordsworth, a famous poet, visited them.

Below, I will reflect on the visual landscape of the area and nature as a public good. Finally, I will consider critically the issue of taste as defined by the Lake Poets[1]. Altogether, this reflection should explain the social, cultural and economic divisions that I found in Keswick and its surroundings.

The visual landscape of Lakeland

The Lake District, also known as the Lakes and Lakeland, is a national park of North West England. I had a chance to see its northern part with the town of Keswick situated along the northeast shore of Derwentwater lake and surrounded by picturesque hills and mountains, scary caves and magnificent waterfalls.

Alfred Wainwright, a British cartographer and illustrator, dedicated 13 years of his life to exploring the landscape of the area and created seven volumes of A Pictorial Guide to the Lakeland Fells published between 1955 and 1966. Through fine detailing, Wainwright’s illustrations and maps depict not only the fells and paths of Lakeland but also the enigma of nature and its magnetism.

The cover of Volume One of Lakeland Mountain Drawings by Alfred Wainwright

My perception of Lakeland was conditioned by the fact that it was my first visit to that area. I was impressed by the beauty of unusual colours of nature which I have not seen anywhere in the UK.  The mountains of orange, green and brown with white snowcaps; the azure sky with lenticular clouds of white and grey shades reflecting in the surface of Derwentwater; black-and-white sheep feeding in the green meadows; trees and shrubs of marsh, sand and black; and pearl-white waterfalls altogether made up the palette of Lakeland in winter.

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Welsh sketches. From Aberystwyth with love

Aberystwyth is a coastal university town in Ceredigion county of West Wales. If you decide to go there, please do not forget to bring a bit of cultural curiosity and a sense of humour with you. Be ready to meet nice locals there: witches, ghosts, deities, fiends, druids and courageous detectives investigating mysterious crimes. Louie Knight is one of them. He is the best private detective in the town and the main character of the Aberystwyth noir novels by British writer Malcolm Pryce.

In the fifth book of the series, Louie deals with the long-time disappearance of Ninochka, a daughter of Uncle Vanya, a Soviet museum worker from Ukrainian Hughesovka where Ninochka was possessed by the spirit of a dead Welsh girl named Gethsemane Walters. Uncle Vanya, or the man who introduced himself in that way, came to Aberystwyth to ask Louis and his business partner Calamity for help in search of Ninochka. As a fee, uncle Vanya suggested a very valuable sock worn by Yuri Gagarin during his first flight into space.

‘What a story!’ you may say. And you will be right. The Aberystwyth noir novels nicely convey the atmosphere of the town. They can be a good start for learning about its weather, places and legends.

Once you are in the town, go to the Pier from where a beautiful view of the promenade and the Constitution Hill is revealed. The sounds of the blowing wind and crashing waves may combine with the songs of starlings and cries of seagulls there. In evenings, if the weather is clear, wonderful sunsets can be seen from the seafront.

In late November, when I happened to be in Aberystwyth, the weather was mild and changeable. Sometimes it was sunny, sometimes rainy, sometimes cloudy, sometimes windy, but always welcoming.

Rain or shine, people walk along the Prom edged by colourful buildings of the student dorms, hotels, pubs, cafés and small workshops. Once you get to the northern end of the Prom, kick the bar. ‘Kick the Bar’ is a local ritual of kicking the railings performed by students to attract love. However, nowadays not only students but also town dwellers of different ages kick the bar as tradition says.

From the northern end of the Prom, you can easily get to the top of the Constitution Hill either by following a winding path surrounded by small shrubs or by using the Aberystwyth Cliff Railway. Students enjoy going up Consti, as they call the Hill lovingly, and observing picturesque sunsets in evenings and looking at stars shining at nights from the top. One sunny morning after the rain, I was enjoying coffee with the fresh air and the gorgeous view of the bay in the Consti café on the top of the hill. Time stopped and it was nice just to live the moment.

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