Lakeland and its Poets. Visiting Lodore Falls and the town of Keswick

‘How does the water
Come down at Lodore?’
My little boy asked me
Thus, once on a time;
And moreover he tasked me
To tell him in rhyme.

Robert Southey, The Cataract of Lodore, 1820

Having a genuine interest in English Romantic poetry, one December weekend, I decided to go to the town of Keswick (pronounced as [‘kesik] or [‘kezik]) located in the Lake District, Cumbria. My choice of destination was motivated by the fact that the poets Samuel Coleridge and Robert Southey lived there at the beginning of the 19th century and where their friend William Wordsworth, a famous poet, visited them.

Below, I will reflect on the visual landscape of the area and nature as a public good. Finally, I will consider critically the issue of taste as defined by the Lake Poets[1]. Altogether, this reflection should explain the social, cultural and economic divisions that I found in Keswick and its surroundings.

The visual landscape of Lakeland

The Lake District, also known as the Lakes and Lakeland, is a national park of North West England. I had a chance to see its northern part with the town of Keswick situated along the northeast shore of Derwentwater lake and surrounded by picturesque hills and mountains, scary caves and magnificent waterfalls.

Alfred Wainwright, a British cartographer and illustrator, dedicated 13 years of his life to exploring the landscape of the area and created seven volumes of A Pictorial Guide to the Lakeland Fells published between 1955 and 1966. Through fine detailing, Wainwright’s illustrations and maps depict not only the fells and paths of Lakeland but also the enigma of nature and its magnetism.

The cover of Volume One of Lakeland Mountain Drawings by Alfred Wainwright

My perception of Lakeland was conditioned by the fact that it was my first visit to that area. I was impressed by the beauty of unusual colours of nature which I have not seen anywhere in the UK.  The mountains of orange, green and brown with white snowcaps; the azure sky with lenticular clouds of white and grey shades reflecting in the surface of Derwentwater; black-and-white sheep feeding in the green meadows; trees and shrubs of marsh, sand and black; and pearl-white waterfalls altogether made up the palette of Lakeland in winter.

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Stick out your tongue at your mother tongue. Or how I visited Shakespeare’s town Stratford-upon-Avon

One December weekend before Christmas, I decided to visit Stratford-upon-Avon, the hometown of English poet and writer William Shakespeare. I went there with the Manchester International Society organising cultural events and bus trips across the UK for students and members of the university community.

Whilst the bus was carrying us from Northern England to Midlands, I had a very nice chat with a female master student from China who came to Manchester to study intercultural communication. We shared a common interest in Lake poetry and experienced similar problems of using English English, as far as we were native speakers of Russian and Chinese languages.

For the first time, I leant that British English should be called English English from my main supervisor who explained to me how to use it in my thesis properly. Not ‘practice’ but ‘practise’, not ‘garbage’ but ‘rubbish’, not ‘while’ but ‘whilst’, etc.

My acquaintance, a master student, told me that there was a hierarchy of English languages. For example, British English and American English take higher positions within the hierarchy of languages compared to Australian and Canadian variants, whilst Asian and Chinese English-es take the lowest positions because of the sounds and pronunciations that are typical for those groups of languages. 

Meanwhile, our bus reached the green fields of Warwickshire and I saw a couple of road signs reading ‘Shakespeare’s town’ and ‘London’. Once the bus dropped us off in Stratford-upon-Avon, we noticed that the car parking was very busy. Crowds of people, including us, were going towards the Victorian Christmas Fayre taking place in the town centre.

The Fayre stalls located along the main streets near the river Avon were full of Christmas gifts, decorations, hand-crafted goods, candles and illuminations. The smell of fried potatoes, mulled wine and other tasty food mixed with the Christmas spirit was in the air. People were waiting in queues to grab something to eat or drink.

And Shakespeare as a linguistic sign looked at the crowded street from different corners and through the windows of pubs, shops and half-timbered houses. One could see his images on hotel signs, hoodies, mugs, copybooks and souvenirs. We followed Henley Street and came across William Shakespeare’s statue that was surrounded by people visiting the Christmas Fayre.

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An imaginative journey in the pandemic world

I wrote this poem during the third lockdown in the UK. It reflects my experience of staying in one place and not crossing borders between countries for more than a year. The poem has no rhymes but who cares about rhymes nowadays. 
 
An imaginative journey in the pandemic world

I am on my way to St. Michael’s Mount
The train is moving from the North to the South of England
I see green fields and fast-flowing hill streams
But then I cross the English Channel 
(or la Manche as they call it in France)
And I am thinking about people who cross it 
Day by day risking their lives
And where am I going?
To St. Michael’s Mount 
(or le Mont-Saint-Michel as they call it in France)
That welcomes pilgrims with the rise and fall of tides.

Alexandrina Vanke
18th March 2021